Hollin Jones finds out if Christmas has come early', 5 Free Or Budget Podcasting Tools You Might Have Missed, Synth Stories: Goose on Using ARP Odyssey on Synrise, Behringer Solina String Ensemble Synth Close To Release: In-Depth Video, 5 of The Best Max For Live Devices Available Now, 5 Of The Best Controllers for Ableton Live, https://www.arturia.com/products/audio/audiofuse-studio/overview. No drivers needed, the unit was immediately visible on our Apple and it run with no problems straight away. Arturias Next-gen Interface Just Got Better. Generous choice of ports. These include clocking and digital input settings, talkback mic gain and routing, and gain controls for inputs 3/4. "certainly had no complaints about audio quality after working with the AudioFuseit was impeccable. These sources are mixed down to a single stereo output, which can then be routed to any or all of the Main, Cue 1 or Cue 2 monitoring buses. It still has to be installed, and as far as I can see, its still a proprietary driver, just not one developed or controlled by Arturia! Unusually, the AudioFuse has a micro USB socket for connection to the computer. This isnt particularly impressive compared with the results that manufacturers such as RME, Focusrite and MOTU are achieving with their custom USB drivers. Arturia AudioFuse Review. Your recording software can also address the ADAT or S/PDIF digital outputs directly, but when it comes to the analogue outputs, there is an extra layer of abstraction. Arturia make great claims for its sound quality, and although it doesnt quite match rivals such as the UA Apollo Twin MkII in the specs department, its definitely no slouch. 4.5 out of 5, based on 1 Review Audiofuse is Arturia's first foray into the audio interface market. Theres a total of 18 ins and 20 outs split across 4 mic inputs, 8 line ins, 2 line outs and 2 pairs of monitor outs, ADAT, S/PDIF, a reamping output, talkback with a built-in mic and a phono facility with preamp. Many of the possible combinations of buffer size and mode result in a warning that you shouldnt have selected them, which makes you wonder why they are available in the first place. Registering the hardware also gets you the AudioFuse Creative Suite of plug-ins, comprising seven excellent mixing plugs - preamps, compressor, tape delay, reverb - and the Analog Lab Lite instrument. However, any of these outputs can be switched to pick up any of the other buses instead, and its also possible to set things up so that the Speaker B output duplicates the second headphone output rather than acting as an alternate speaker output, thus giving you a total of four independent line outs. Despite its compactness, it offers an extremely comprehensive selection of I/O. Unusual features such as built-in USB hub and turntable input. Respect to Arturia. I owned four recording interfaces before starting this review; now it might be five! AudioFuse Studio is a joy to use, and its results are top notch. Each has its own analogue gain control, along with switchable phantom power, polarity inversion and pad. Web: https://www.arturia.com/products/audio/audiofuse-studio/overview, Hollin Jones was classically trained as a piano player but found the lure of blues and jazz too much to resist. Underneath the large Level dial with LED meters are Dim, Mute and Mono buttons for instant access to different monitoring modes, and to the right. Reviews. This brings us to the Bluetooth feature - activating this lets you stream audio directly from another device, typically a phone or tablet, for playback or recording. Reviews Studio & Recording Gear Review: Arturia AudioFuse 8Pre The latest addition to Arturias interface range looks impressive, but does it push the boundaries of budget multi-channel preamp recording and meet Arturias award-winning lineage of high-end analog quality? For space reasons, the MIDI sockets are on mini-jacks, with short adaptor cables terminating in five-pin DIN connectors supplied. There are four Discrete Pro preamps that offer an equivalent input noise of -129dBu and a dynamic range of 119dB which is very impressive and pre-fader listen available on each one. The gain range runs from 2dB-75dB, which should be more than adequate for every conceivable purpose. Hollin Jones on Tue, November 26th 0 comments. Write a user review. You may login with either your assigned username or your e-mail address. AudioFuse 8Pre, USB audio interface from Arturia. Unusually, not only are there two headphone outputs, but each has both a full-sized and a mini-jack socket. Hollin Jones on May 18, 2020 in Review 0 comments. USB2 hub. Like a half brick, the AudioFuse is squarish, rather heavy for its size, and comes in several different colours. This is very popular among manufacturers, but I dont share their enthusiasm for it: its opaque and confusing to set up, and offers fairly lacklustre performance. The Arturia AudioFuse Rev2 is an exciting update of Arturias next-gen audio interface. Pressing the Arturia button calls up the software control centre when connected to a computer, from where you can manage routing and setup via a well-designed software interface. Its also possible to treat these as two independent output pairs, within certain routing restrictions well look at shortly. You also get a zero latency mixer, MIDI I/O and a three-port USB2 hub on the back panel. Its truly portable, but really does cater for almost all the possible input sources youre ever likely to encounter, with the option of adding extra preamps over ADAT or S/PDIF should you need to up the channel count. Even so, there isnt quite enough juice available on the bus to run it at full tilt, so you have to select one of three compromises involving reduced output headroom or disabling inputs. The ability to use separate headphone feeds for performer and engineer is important in a lot of home and location recording scenarios, so the AudioFuse also scores heavily over most other desktop interfaces by enabling this. Despite looking like a two-in, two-out entry-level interface from the front, the back panel hosts a wealth of sockets, offering a huge range of connection types, both analogue and digital. The preamps are a cut above those found in bog-standard computer interfaces, with a wider gain range and smooth, non-bunching gain potentiometers, while the quarter-inch inputs bypass the preamp stage, thus ensuring the cleanest possible input from line-level sources. The rear of the AudioFuse is where most of the action is, with connections for MIDI I/O, word clock, S/PDIF and ADAT, three USB A ports, phono inputs, a ground connector, and a host of quarter-inch jack sockets for audio I/O.The second pair of analogue inputs are duplicated on quarter-inch jacks and phonos. One knob thus controls the global balance between directly monitored signals and those emanating from the computer, and does so for all the outputs, no matter which of the cue buses theyre picking up. I used the AudioFuse 8Pre as my studio interface during the testing period for this review, and I was definitely impressed with the results, especially considering the relatively affordable price. Lets Get Connected. Arturia claim as a positive the fact that the AudioFuse uses generic drivers familiar from many other interfaces, including the PreSonus Studio 192, Antelope Zen Tour, JoeCo Blue Box Recorder and numerous others. Arturias marketing material for the AudioFuse places a lot of emphasis on their DiscretePRO mic preamps, which are featured on the first two analogue inputs. buttons to let you switch between speaker outputs and also 3 different audio sources. Lets find out. Arturia expands its AudioFuse line of USB audio interfaces with the 8Pre, a versatile single rack space unit eight input preamp/audio interface that has up to eight channels of ADAT I/O, plus USB-C connectivity.My testing for this handsome "dual-mode" unit included use cases as both a standalone interface and an eight-in/eight-out 24-bit/96 kHz ADAT expander for my other interfaces. Pristine studio quality is at the heart of AudioFuse, with each of its components promising the highest possible audio excellence. Desktop interfaces are all about the latter, so its no surprise that Arturias approach tends that way, but Im not totally convinced theyve got the balance spot on. The global balance control and the additional cue bus layer of abstraction between computer and speakers compromise the AudioFuses ease of use somewhat, but they dont add greatly to its flexibility: theres only one direct monitor mix, and only having the one balance control between that and the computer playback is quite limiting. And this is where things can get complicated, or at least, where they sometimes felt that way to me. Review: Arturia AudioFuse 8 Pre. Arturia AudioFuse 8PRE audio interface review + Arturia AudioFuse 8Pre. The third-party Windows driver theyve licensed offers unstellar low-latency performance without really yielding the benefits that Arturia promise. Hollin Jones finds out if Christmas has come early' Following its ultra-compact AudioFuse and the larger, studio-oriented AudioFuse 8Pre, Arturia has released AudioFuse Studio which in size terms sits somewhere between the two, while adding some unique features of its own. A desktop control centre with 4 AudioFuse mic-pres but plenty of other goodies to impress the potential buyer. Arturia's flagship audio interface is designed to work in a number of different modes to fit the way you make music. The price may seem high for what is physically a small-ish unit, but youre paying for very high quality, an incredibly flexible and powerful feature set, and top grade results. At 44.1kHz, Oblique Audios RTL Utility reported the round-trip latency as being 7.3ms. Like many other USB audio interfaces, the AudioFuse is class-compliant, and Arturia claim as a benefit that there are: No fiddly driver installations weve made the decision to use generic drivers and worldwide USB2 to ensure youre always ready to record, unlike proprietary drivers that need to be developed and maintained after each operating system update. Which, to my mind, is a bit like a sports-car maker explaining that theyve chosen to use Ford Fiesta engines instead of designing their own, because there are lots of spares available in case they ever go wrong. Its >131.5dB A-weighted EIN rating guarantees the widest dynamic range for your audio, class-leading signal-to-noise ratios on the pre-amps and the purest discrete analog signal paths to ever grace an audio interface. Consequently, the AudioFuses main strengths are its audio performance and the way it packs a huge range of I/O types into a very portable box. It combines a very compact form factor with a lot of connectivity. Review this product Prices & More Info More Interfaces Tools 422 Oops! However, if like mine your PC wont run the AudioFuse at that setting, the next approved pairing is 128 samples and Low Latency, at which point the round-trip latency leaps to 12.2ms. Good sound quality and versatile preamps. Arturia AudioFuse is available in Deep Black, Space Grey and Classic Silverfinishes. Its rapidly becoming a bit of a cliche to point out how seamlessly Arturia have made the transition from software specialists to software-and-hardware all-rounders, but sometimes cliches are justified. Like a half brick, the AudioFuse is squarish, rather heavy for its size, and comes in several different colours. Unlike a half brick, its festooned with buttons, white LEDs and dials, and has a snug fitting lid to protect it from damage in transit. DAW software sees three stereo outputs, but these are not hard-wired to particular outputs: they are, in effect, buses, which can be routed in various different ways depending on the AudioFuses configuration. Pristine studio quality is at the heart of AudioFuse, with each of its components promising the highest possible audio excellence Its >131 5dB A-weighted EIN rating guarantees the widest dynamic range for your audio, class-leading signal-to-noise ratios on the pre-amps and the purest discrete analog signal paths to ever grace an audio interface Ask.Audio is your ultimate daily resource covering the latest news, reviews, tutorials and interviews for digital music makers, by digital music makers. The AudioFuse presents up to 16 inputs to your recording software: four analogue inputs, stereo S/PDIF, up to eight ADAT channels depending on sample rate, and another two-channel input which carries the mono talkback input on both channels. Each also has its own mono button, which acts independently of the one affecting the main output; on the review unit, these did not apply the correct attenuation to the summed signal, but this should have been fixed in a firmware update by the time you read this. All rights reserved. Adjacent to this is a socket for the supplied PSU; neither the power nor the USB socket uses a locking connector, but they mate pretty securely. This is shocking if you consider the unit retails at around 500. Connect, mix and record pretty much any kind of device. On the output side, there are two pairs of quarter-inch jacks labelled Speaker A and Speaker B, which are switched from the top panel. Excellent workflow and design. editorial review. The smaller AudioFuse also has Bluetooth though I havent tested that model, but here it works brilliantly and its nice not to have to fiddle with cables to get signal from the phone into the device. This is hardly unusual, but their insistence that it was a positive decision which brought benefits for the user was a bit hard to swallow, and at the time, low-latency performance on Windows was pretty mediocre. Arturia - 20 Years Of Software & Hardware | Podcast, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs. Solid build. Arturia chose to offer generic drivers for the original AudioFuse rather than coding their own. The Arturia AudioFuse 8Pre is a dual-mode interface and ADAT expander which boasts 8 channels of premium analog audio, rock-solid sync, USB-C, and optical connectivity. Yet all this functionality has been packed into something about half the size of your average house brick. "The sound of the Arturia AudioFuse Studio is truly outstanding and of course it provides latency-free monitoring. The latter are intended for attaching a turntable, while the jacks operate at line level, though one of them can also be switched to act as an additional high-impedance input for connecting electric guitars and the like. This is Arturias first entry into the world of audio interface design, and their main focus has obviously been on the hardware side of things rather than coding bespoke low-latency drivers. Like every other interface Ive tested that uses this driver, the lowest 32-sample buffer size yields a reported round-trip latency of 5.6ms in Reaper at 44.1kHz sample rate, and a loopback test confirmed that the actual latency is only 10 samples or so greater than the reported value. Arturia AudioFuse Advanced Audio Interface. But is the AudioFuse Studio all things to all users? Plus it comes with some cool software, as Hollin Jones discovered. September 25, 2017 synthhead Audio Interfaces Arturia, Arturia AudioFuse, Audio Interfaces. A sometime lecturer in videographics, music production and photography post production, Hollin has been a freelance w Read More. Share: Arturia's flagship audio interface is designed to work in a number of different modes to fit the way you make music. How to connect iRig2 to iphone and Allen & Heath Mi Polyester fiber panels/boards, do they work? With its built-in speaker switching, mono buttons and talkback, it offers as much monitor control as most of us are ever likely to need. Monitor control likewise goes well beyond the ordinary, with speaker switching, talkback, mono and dim functions all accessible at the press of a button. The Control Center presents a single pane, the central section of which reproduces the top panel of the AudioFuse. Its remarkable how much they have squeezed into this still-portable box - it covers all sorts of use cases. Its all perfectly usable, but given the companys heritage as developers of soft synths, I could have wished that low-latency driver performance was further up Arturias list of priorities. Controls that appear in both hardware and software are mirrored, so pressing a physical button on the AudioFuse makes its virtual counterpart light up, and vice versa. However, once you get a feel for what goes where, you begin to appreciate how much Arturia have packed into this little box, and how much of it is directly controllable from the top panel. To balance things out, the Control Center sports a number of software-only controls for which space could not be found on the AudioFuse itself. Direct monitoring arrangements are complicated without being very flexible. These are complemented by an optical digital input and output, a pair of RCA phonos which can be used for either S/PDIF or word-clock in and out, and MIDI in and out. A deep dive into the Arturia AudioFuse investigating the driver and latency performance with playback, input monitoring and VST Instrument performance. Competition in the world of desktop interfaces is becoming increasingly fierce, but the AudioFuse is perhaps the most versatile such interface yet, with several genuinely unique features. So, for example, not only does it incorporate conventional mic, line and instrument inputs, but you can also connect a turntable, while one of the line outputs also does duty as a re-amp out for guitar recording. An effective implementation of direct monitoring always involves a trade-off between versatility and simplicity. The re-amping functionality is likewise both practical and useful. Create an account or login to get started! Classified Ads. They are also routed through quarter-inch analogue inserts on the rear panel. The rear of the AudioFuse is where most of the action is, with connections for MIDI I/O, word clock, S/PDIF and ADAT, three USB A ports, phono inputs, a ground connector, and a host of quarter-inch jack sockets for audio I/O. In this episode we will check out Arturias first Audio Interface Audiofuse. However, its the AudioFuses hardware design that will sell it. That said, the AudioFuse proved perfectly stable and reliable in use, and although the limitations of its direct monitoring are occasionally frustrating, its more than capable of taking most simple recording jobs. Q. Arturias new audio and MIDI interface is a beefed-up version of the original AudioFuse. At its heart, the Arturia AudioFuse Studio is an 18 in Arturias first foray into the world of audio interfaces squeezes a huge amount of connectivity into a compact desktop box. Unlike a half brick, its festooned with buttons, white LEDs and dials, and has a snug fitting lid to protect it from damage in transit. Arturia AudioFuse Advanced Audio Interface, 2 DiscretePRO microphone preamps, 3-port USB hub, 24-bit next-generation A-D/D-A converters at up to 192kHz sampling rate, PC, Mac, iOS, Android compatibility, A/B speaker switching, Direct monitoring I n our April 2018 issue, I reviewed AudioFuse, the first Arturia offering in the audio interface category. It took a whilethe prototype was shown at Winter NAMM 2015but in the end, the AudioFuse was worth the wait. The complete AudioFuse I/O count includes four analogue inputs and four outputs, plus two headphone outs. Arturia's latest interface has a dizzying array of features. With our award-winning lineage of pristine analog quality, AudioFuse 8Pre is destined to become the expander of choice in studios and creative spaces around the world. The S/PDIF output can duplicate either of these, which could be useful if you have monitors with a digital input. The first of these is given as -131dBu, which would be even more impressive if they hadnt chosen to quote an A-weighted measurement. Arturia's latest interface has a dizzying array of features. To start with it can be used with or without a computer and powers over the mains, its power requirements being too high for USB which is common in more capable interfaces such as this. Its as though Arturias designers asked everyone they knew to submit feature requests, then decided to implement all of them. Plus it comes with some cool software, as Hollin Jones discovered. It uses the aptX codec which is very high quality, and its a nice addition. In standalone mode with no computer its especially helpful. We discover just how impressive this all-rounder is. Moreover, although it doesnt bother me that the direct monitor mixer lacks fancy stuff like in-built effects, EQ and dynamics, it would be nice if channel linking affected mute, solo and pan controls as well as just the faders. 00 Oh, and the AudioFuse also acts as a three-port USB hub. And it looks like Arturia finally got smart and made the new AudioFuse Studio quite a bit larger (more than twice the size of two original AudioFuse units put together), and also added quite a few air vents to aid in cooling. The hardware layout is easier to navigate than many other interfaces with this much functionality but its still nice to get a visual overview of whats going on as well. Arturia Audiofuse Review. The views expressed are those of the contributors and not necessarily those of the publishers. Recording multiple sources at once is a breeze and you can hook up a turntable, your MIDI gear, dual headphones, two sets of monitors and even USB devices. They have a stronger case on Mac OS, given that Apples Core Audio USB driver is both pretty good and truly generic, but its still not as fast as custom drivers from manufacturers like RME and MOTU, and nor does it rival the performance of typical Thunderbolt interfaces. Stream audio over Bluetooth. It looks as though theyve implemented the dimmed setting by strobing the LEDs, which then flicker in a mildly distracting fashion. Over the years, theyve made numerous products that are designed to integrate with Macs and PCs, but the AudioFuse is the first fully fledged audio interface to emerge from their Grenoble HQ. Following its ultra-compact AudioFuse and the larger, studio-oriented AudioFuse 8Pre, Arturia has released AudioFuse Studio which in size terms sits somewhere between the two, while adding some unique features of its own. The AudioFuse is a next- generation USB audio interface designed to optimize workflow, connectivity, latency, and If you need a Swiss Army knife of the audio world, the AudioFuse has more blades than most. Cons: Some will find the price high, but you are getting a lot for your money. Although its a desktop interface, and a relatively compact one at that, the AudioFuse is incredibly feature-rich. Good monitor control features including speaker switching, mono and talkback. ASIO is not a Microsoft standard, so the AudioFuse uses the same third-party OEM driver that all the above mentioned devices employ. These slightly counter-intuitive routing arrangements mean that the AudioFuse isnt quite as easy to get to grips with as some of the desktop interfaces Ive tried. Arturia AudioFuse Review. Its solidly built, but although Arturia describe it as having a great-looking exterior, I thought it a bit too dumpy and crowded to be considered beautiful. A nice touch is the inclusion of a USB hub offering three full-sized Type A sockets, which are perfect for connecting iLok dongles and the like. In standalone mode it works as a hardware mixer and router so its great for smaller live sound setups as well. All contents copyright SOS Publications Group and/or its licensors, 1985-2021. Prices starting at $799 Average price: $799. I tested it with microphones, guitars, different headphones. Web site designed & maintained by PB Associates & SOS. Question about LFO Control in effects pedals, The All-New Behringer Keyboards 'n' Stuff Thread. The idea that not having to do this is an advantage seems especially tenuous given that everyone will need to install the Arturia Control Center utility and that on Windows, the Control Center installer includes an ASIO driver, which is necessary to use the device with most audio software! https://futuremusic.com/2020/10/02/arturia-audiofuse-studio-review Personally, Ive never found audio interface drivers more fiddly to install than anything else, and Im perfectly happy to do so if custom drivers will give me better performance.
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