In The New Yorker, Rebecca Mead writes that “rather than revealing the pressures of exterior social forces, the series shows the gradual inner development of empathy and sympathy—on the part of its participants and on the part of its maker” and “demands the same enlarging sympathy from its audience.” Roger Ebert wrote that it is “an inspired, even noble, use of the film medium,” that the films “penetrate to the central mystery of life,” and that the series is among his top 10 films of all time. © 2021 Condé Nast. “We all get dressed for Bill,” Vogue’s Editor in Chief, Anna Wintour, says in the film. ‘‘Rationality will not save us,’’ says another. Thankfully, history will remember the Academy well for giving Minding the Gap an Oscar nomination back in 2018. It follows Randall Dale Adams, who at the age of 26 was arrested, convicted, and sentenced to the death penalty for the 1976 murder of a police officer in Dallas, Texas—a crime Adams did not commit. These programs have been broadcast nationally and locally on public and cable television, won numerous awards, and are in distribution to educational markets worldwide. Or it moves people deeply. Vogue may earn a portion of sales from products that are purchased through our site as part of our Affiliate Partnerships with retailers. lives. In 1974, a week before his 24th birthday, high-wire artist Philippe Petit stunned the typically cynical denizens of New York City when he walked on a wire between the towers of the World Trade Center. Robert Epstein’s documentary finds its focus in Harvey Milk—the outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office, who was assassinated in 1978—and in the larger context around him. Cutler’s film, which finds its focus in the making of the 2007 September issue (a record-breaking 800-page tome that weighed more than 4 pounds, sold 13 million copies, and impacted the $300-billion global fashion industry more than any other single publication), is an intimate, funny, and ultimately instructive look at office politics, an economic boom time in print publishing, and the fashion industry through the lens of its most iconic publication. “The question you got to ask yourself, the white population of this country’s got to ask itself is: Why it was necessary to have a nigger in the first place?” Baldwin asks in one chilling bit of footage. “The brilliance of Exit Through the Gift Shop,” John Powers wrote for Vogue in 2010, “is that you never know throughout who’s in on the joke or if any of it is actually a joke at all.” Ostensibly a film about the enormously popular anonymous street artist known as Banksy (and billed as the first Banksy-directed film), it instead becomes about the eccentric French shopkeeper turned aspiring Bansky documentarian, Thierry Guetta, who attempted to locate and befriend his subject, only to have the artist turn the camera back on its owner, and onto the international art world at large. . Michael Apted’s monumental ongoing documentary series, tracking a group of English schoolchildren from different social spheres at seven-year intervals, began in 1964 with Seven Up! . "We've all been acclimated to a culture that has devalued the lives of trans folks, and we often deeply internalize that, whether we're trans or not: Disclosure is a disruption of that, and it's a way to begin intervene and think and live differently," Cox told Vogue shortly after the film's release. Legendary director Wim Wenders offers a moving portrait of his friend Pina Bausch, an internationally acclaimed dancer and choreographer who died unexpectedly in the early days of the production of Wenders’s documentary. Pennebaker accepted; observing the cast and crew of Stephen Sondheim’s concept musical Company for the pilot. This portrait, filmed when he was 80 years old, follows him through the city on his fashionable journeys and offers a look into the man for whom, as Vogue editor Anna Wintour put it, all of New York dressed. And why are we so content to live our lives in fear? Director D.A. The film is primarily made up of archival footage, which effectively puts the viewer in the passenger seat as it demonstrates the thrills and dangers of the sport: Senna witnesses the chilling death of a fellow driver only the day before his own fatal crash, and lobbies heartbreakingly for better driver safety. If you know the music of the band, this is the backstory of how the Social Club became megastars all over the world. George Stephanopoulos and James Carville dealing with unforeseen problems and negative press, as their candidate is saddled with accusations of adultery and draft-dodging. When Price and his fellow cast members (many teenage actors making their Broadway debuts, including future Seinfeld star Jason Alexander) opened Merrily We Roll Along in 1981, they expected it to the first in a long line of career successes. version of the film, Original Cast Album: Co-op, is great, and Paula Pell’s spin on Stritch a highlight.) Gold died in 2018 of pancreatic cancer; Gabbert’s film now serves as the only way to experience the particular delight of his genius outside of his writing. Robert J. Flaherty’s silent predecessor to the modern documentary spends one year following the lives of an Inuit family living in the Arctic Circle. ⦠Every product was carefully curated by an Esquire editor. Fuyao resuscitates the shuttered factory as an auto-glass plant, but what happens next will confound any easy political narratives about the winners and losers of global capitalism. My brain didn’t understand, but my body seemed to. “The film is not technically sophisticated; how could it be, with one camera, no lights, freezing cold, and everyone equally at the mercy of nature? We're just asking that you go back a few years, where there are even more gems waiting for you. The result is a topsy-turvy and surprisingly sympathetic (if not without a sense of schadenfreude) take on the American Dream, boom and bust. The resulting film is not a biographical documentary, nor a manipulative tear-jerker, but an intelligent exploration of the late cultural icon’s ideas about self-worth, about facing (not running from) reality, his respectful notions of what even very young children can handle, and the profound effects of kindness. This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses. Jennie Livingston’s poignant, profound film documents ’80s New York vogueing balls—a familial world apart from white America, with its own sets of rules and rituals that were largely held secret until vogueing moved into the mainstream. This documentary is a true masterpiece. Spike Lee’s four-part elegy for New Orleans during Hurricane Katrina employs a powerful chorus of witnesses and talking heads that cuts across racial and class lines in a style that Slate called “jazz” and “as American as gumbo or Gershwin.” Lee combines images of the city before and after the flood: “streetcars, spray-painted alerts of corpses, stock-footage segregationists, Mardi Gras krewes, water rising so high that it threatens to submerge a green sign marking Humanity Street, survivors at the Superdome, tape of the lazy Mississippi.” As Stephen Holden wrote in The New York Times, the film “has no major new revelations about the outrageously tardy response of the Bush administration to the crisis, as if any were needed. What was once a required viewing for most Intro to Gender and Sexuality courses is now required for … well, everyone. Biography Sort by: This is Paris. Francis Ford Coppola’s film Apocalypse Now premiered at Cannes in 1979, shared the Palme d’Or, and went on to become one of the great mythic productions in film history—despite being bedeviled by an endless succession of environmental interruptions, over-budget concerns, and health problems, both physical and mental, among many more logistical nightmares. 2020, Biography. Watch the mesmerizing, Oscar-winning When We Were Kings. . “A portrait coalesces of a man far more complex and less cuddly than those of us in the Mrs. Doubtfire generation may have imagined” Julia Felsenthal wrote in her review for Vogue. This documentary examines the crimes of David Parker Ray (November 6, 1939 â May 28, 2002), who was charged with kidnapping, raping and torturing women in ⦠And why did he let the documentarians Josh Kriegman and Elyse Steinberg film his entire mayoral run, even after his comeback plans tanked amid evidence of further sexting and the perturbing news that he conducted some of his cyber affairs under the nom de plume ‘Carlos Danger’?” asked Vogue’s Julia Felsenthal in her review of Kriegman and Steinberg’s film, and while answers are thin on the ground, Weiner’s “compulsive, reckless desire to be seen no doubt worked in the filmmakers’ favor,” she writes. Simpson’s not-guilty verdict—though a painful, blatant miscarriage of justice—nonetheless a civil rights victory for black Angelenos long terrorized by both the police and the courts. Now, whatever era of the genre is your favorite, don't worry—we poured through decades of film to compile the best of them. Michael Moore confronts America’s relationship with guns in his trademark good-natured style in this film, using the school shooting at Columbine High School in Littleton, Colorado, as his starting point. Peck brings his subject back to life in archival footage and in readings of his work and correspondence by the actor Samuel L. Jackson. Whitney Houstonâs life and death and that of her daughterâs, Bobbi Kristina Brown, has fascinated and caused debate.A new Lifetime documentary by those ⦠It’s there that arguably most intense moments of their stay takes place, when the convicts reach deep inside themselves to revisit their past traumas and vulnerabilities that have played a role in their violent behavior. If you like when your documentaries make you sweat, then hey, Free Solo will have you heading for the shower afterward. But Milk's legacy has endured longer than his brief tenure as a public servant, and his courage and passion for social justice has inspired countless LGBT activists in the four decades since his murder. When the photographer Lauren Greenfield began filming David Siegel, the owner of Westgate Resorts, and his wife, Jackie, in 2007, she was intending to document the couple’s construction of the largest single-family home in the United States, a 90,000-square-foot French-château-by-way-of-Orlando McMansion that they’d taken to calling “Versailles.” Then the financial crisis of 2008 hit. Two decades after his suicide, Montage of Heck attempts to piece together a portrait of Cobain, one told by the loved ones he left behind (including his Nirvana bandmates), as well as his personal audio recordings and juvenilia. She hated explaining her movement; she hated interpreting it.” Or as Bausch once put it: “Words can’t do more than just evoke things—that’s where dance comes in.”. “There is no proper response to this film,” Roger Ebert wrote in his review. When brothers Peter (who is deaf) and Chris (who is hearing) both had deaf children and considered giving them cochlear implants, they opened up a debate within their family—one that also exists within deaf culture at large. Within the confines of the infamous Folsom Prison, level-four convicts—prisoners assigned to maximum security—meet for an intensive three-day group therapy session that serves as part of their rehabilitation. The film delivers a staggering visual feast in the footage of these runway shows, rarely seen by those outside the fashion world, and the emotional punch of witnessing an exuberant talent headed toward self-destruction. Similar to his own memoir, In Retrospect, McNamara offers his view of the conflict—and the complicated nature of war in general—to put the Vietnam War in a larger context within 20th century American history. The Work follows three outsiders who join the retreat, slowly revealing their own therapy progress as their expectations about both the convicts with whom they interact—and their own notions of masculinity—are completely shattered. In this animated documentary, Israeli filmmaker Ari Folman struggles to make sense of his experience as a soldier in the 1982 Lebanon war. With movements inspired by African dance, Egyptian hieroglyphics, fashion magazines, and TV shows like Dynasty, voguers (often disenfranchised gay black and Latino men) strike poses with the prowess of runway models or Cirque du Soleil cast members—only better, because they can “throw shade” at the same time. Beginning with an examination into the police investigation, filmmaker Amy Berg brings to light new evidence surrounding the arrest and conviction of Damien Echols, Jason Baldwin, and Jessie Misskelley. We see that these cats aren’t merely wondrous creatures in themselves, but that they enrich the whole city. Wrote the Times, “He’s an aesthete and an ascetic, a member of the establishment and a bohemian, and among the last of his kind.”. Nowadays, it's trendy to call today's era in documentary filmmakingâwe're talking about the past few years, when we've seen whole damn events like ⦠Varda, who pulls the treasures out of the stories around her as she reflects on her own mortality and the nature of her art, is a gleaner, too. Jenny Livingston offers a cinematic immersion into New York’s underground ballroom scene of the 1980s. Trans history is the subject of this documentary by actress and executive producer Laverne Cox, and the amount of territory it covers is truly remarkable; trans identity is all too frequently sold short in mainstream media, and Disclosure celebrates trans joy while acknowledging the limits of pop-culture representation. In this Academy Award-nominated documentary feature, filmmaker Ava DuVernay examines systemic racism and ⦠“There is something about fashion that can make people very nervous,” Anna Wintour (Condé Nast’s Creative Director and Vogue’s Editor in Chief) says toward the beginning of R. J. Cutler’s documentary. William Klein has lived many lives and is one of the worldâs most ⦠Ross McElwee’s idiosyncratic, charming film is ostensibly about the lasting aftereffects of the “total warfare” waged by General William Tecumseh Sherman during the final months of the Civil War, which the filmmaker intends to discover by following Sherman’s trail through Georgia and the Carolinas. ‘‘Believing and seeing are both often wrong,’’ goes one lesson. Every seven years, Apted returned to his subjects (those that chose to participate, anyway) to see how life changed for each one—and how their dreams, fears, and philosophies evolved with time. “The writer Jorge Luis Borges wrote that literature is both ‘algebra and fire,’ and the same is true of social activism,” John Powers wrote of How to Survive a Plague in Vogue. I’m a man. Acclaimed documentarian Barbara Kopple won her first of two Academy Awards for this incendiary look at the 1973 Brookside Strike formed by coal miners employed by the Eastover Coal Company in southeast Kentucky. Joshua Oppenheimer’s quixotic, vaguely psychedelic film is markedly unlike any other documentary you’re ever likely to see about a genocide. . We loved her so much that we made her larger than life; but when that kind of celebrity proved too much for her to handle, when she began to slip away into addiction and self-destruction, we turned on her.”, Richard Press’s film is a loving portrait of a singular man, the then 82-year-old beloved New York Times photographer Bill Cunningham—who that paper wrote “seeks out and captures humanity amongst the maelstrom of life,” as a “kind of Lorax of fashion”—who celebrated the beauty of individuality in the industry and beyond. Narration done by none other than Morgan Freeman. All rights reserved. . A YouTube original feature-length documentary which takes us inside the life of signer-songwriter Demi Lovato. Oppenheimer explores the mid-1960s massacre of communists and ethnic Chinese people in Indonesia (in which nearly half a million people died) by inviting some of the surviving (and proud) executioners to make their own movie about the events, and to tell the story through their own dramatic re-enactments. Yes, we love to queue up a Netflix true crime documentary as much as you do. Why, for that matter, was he sending dick pics to strangers at all? In Robert Greene’s Kate Plays Christine, the actress Kate Lyn Sheil plays an actress named Kate preparing to portray Chubbuck in a biopic about her life; it’s a genre-bending, eerily affecting project, wherein Sheil does her own research into Chubbuck’s life story. Wrote Vincent Canby in The New York Times: “Though Mr. McElwee’s timing with women is awful, he’s a filmmaker-anthropologist with a rare appreciation for the eccentric details of our edgy civilization.” He also set the tone for navel-gazing cineastes for generations to come.
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